People have long played e- (or virtual) games, especially those involving many players. They have traditionally consumed multi-player games by buying them and by observing the actions of others playing them. Of course, they also produced them by creating the action that is the game. That is, people have always prosumed of e-games. These games are an example of playbor, a phenomenon with much in common with prosumption, because those involved labor as they play.
Many throughout the world continue to play e-games; in fact, the numbers involved are growing rapidly. However, the games are rapidly becoming mass spectator sports with millions of online viewers, thousands of others viewing the games in person at sports arenas, and millions of dollars in prize money. A major on-line site for these games is Twitch. The coming of age of these games was heralded by Amazon.com’s recent $1.1 billion purchase of Twitch, which had 55 million visitors in July, 2014 (Wingfield, 2014a).
While gamers were always prosumers, the consumption aspect of the process was dominant at first as they purchased computers, internet time, games and products associated with many games. While that is still true for gamers, some are now more involved in producing games, often as members of teams and for prize money. Others consume these games either online at home or in a stadium with thousands of other fans. The most successful of these gamers are earning large sums of money.
Prosumption is key to the profitability of these games and why Amazon.com was willing to pay over a billion dollars for Twitch. The secret of Twitch’s success is “because it supplies its own content and audience, comparable to an oven that produces its own food” (Carr, 2014: B5). In other words, the consumers (audience) of these games are also their producers.This is made clear by the creator of Minecraft: “’No fake doors that don’t lead anywhere, no trees you can’t cut down, and no made-up story being told to the player to motivate them…Instead, the player would make their own story, and interact with the game world, decide for themselves what they want to do’.” (Wingfield, 2014b)
It is clearly the most avid of the consumers who eventually become producers of these games for others to consume. Furthermore, even the most successful producers of today’s games must continually consume the actions taken by competitors in a game and, more generally, the entire gaming environment.
As in many cases of prosumption, it is the prosumers who do the vast majority of the work involved in production and consumption while owners of sites such as Twitch reap most of the economic benefit. Twitch succeeded because it invested the money needed to provide the infrastructure and huge bandwidth needed by those involved in multiplayer games, the major competitions, and the commentators on them. The audience flocks on its own to the site to provide the content. The vast majority of those who do so earn little or nothing for their efforts.
Carr, David. “Amazon’s Bet on Content, In a Hub for Gamers.” New York Times September 1, 2014: B1, B5.
Wingfield, Nick. “Virtual Games Draw Real Crowds and Big Money.” New York Times August 31, 2014a: 1, 13.
Wingfield, Nick. “In Games Like Minecraft, Tech Giants See More Than Fun.” New York Times September 11, 2014: A1, B2.
Wingfield, Nick. “Virtual Games Draw Real Crowds and Big Money.” New York Times August 31, 2014: 1, 13.